Every Major Film And Show With Saint In The Title

Movie and TV creators love a good “saint.” Not necessarily the halo-wearing, miracle-working kind, but the complicated, messy, morally gray kind who drinks too much, fights too hard, or quietly saves lives while the world isn’t paying attention.
When you start listing every major film and show with Saint in the title, you realize you’re looking at a crash course in pop culture’s favorite obsession: flawed holiness.

In this guide, we’ll walk through the most influential movies and series that carry “Saint” (or “St.”) in their titlesincluding crime thrillers, indie dramedies, psychological horror, biopics, anime, and more.
This isn’t a database of every obscure short ever made, but it hits the big titles that shaped audiences, built cult followings, or made critics sit up and pay attention.

Why “Saint” Keeps Showing Up On Screen

“Saint” is a loaded word, and that’s exactly why storytellers like it. Slap it on a title and you instantly hint at:

• Moral tension: Is this character truly saintly or just branded that way?
• Redemption arcs: Drunks, criminals, and screwups suddenly get a chance at grace.
• Religious or spiritual vibes: Even when the story isn’t “about religion,” the word brings that weight in with it.

Whether you’re watching vigilante brothers in The Boondock Saints, a troubled caregiver in Saint Maud, or a burnt-out woman piecing her life together in Saint Frances, the title tells you one thing:
sainthood here is going to be complicatedand probably bloody, awkward, or surprisingly funny.

The Original Screen Saint: Simon Templar

“The Saint” (1962–1969 TV Series)

Before superheroes took over everything, there was Simon Templara suave gentleman thief created by novelist Leslie Charteris and brought to TV in the 1960s British series The Saint.
Starring a pre–James Bond Roger Moore, the show ran for six seasons and more than 100 episodes, following Templar as he helped people the law couldn’t (or wouldn’t) protect while staying just on the wrong side of legality.
It was syndicated widely, picked up by NBC in the United States, and aired in over 60 countries, becoming one of the most productive and recognizable crime series of its era.

Stylistically, the show sits at the sweet spot between classic spy capers and suave crime drama: sharp suits, clever cons, and a protagonist who behaves like a saint while everyone keeps reminding him he’s technically a crook.
In other words, the perfect blueprint for every charming rogue who’s ever smirked their way through TV.

“The Saint” (1997 Film)

Jump ahead a few decades and Val Kilmer steps into the Simon Templar role in the 1997 Hollywood film The Saint, a slick action thriller that leans hard into ’90s high-tech espionage.
Kilmer’s Templar is a master of disguises hired to steal a cold-fusion formula from a brilliant scientist, played by Elisabeth Shue. Naturally, he falls for her, grows a conscience, and ends up trying to save both the woman and the world.

The movie earned mixed critical reviews but did solid business at the box office, and it’s gained extra attention over the years thanks to Kilmer’s eccentric, chameleon-like performance and the film’s throwback spy energy.
In hindsight, it feels like a weird, charming bridge between old-school gentleman thieves and the more brooding antiheroes that came later.

Guns, Guilt, And Prayer: “The Boondock Saints”

If The Saint is slick espionage, The Boondock Saints is a shot of cheap whiskey chased with a Latin prayer.
Troy Duffy’s 1999 film follows Irish-American twins Connor and Murphy MacManus in Boston as they decideafter a violent run-in with the Russian mobthat God wants them to become vigilante executioners.
With Willem Dafoe as an eccentric FBI agent on their trail, the movie blends gun-heavy set pieces, Catholic imagery, and dark humor.

The theatrical release barely made a ripple due to limited distribution, but home video and word of mouth turned it into a massive cult hit.
For a whole generation of college students, a blacklight poster of The Boondock Saints was basically a personality trait.
Its “are they saints or sinners?” premise has kept it alive in the crime-movie conversation long after its modest box-office numbers.

Modern Indie Saints: Quietly Radical And Deeply Human

“Saint Frances” (2019)

On the opposite side of the tonal spectrum from gun-toting vigilantes is Saint Frances, a 2019 American indie dramedy that became a festival darling.
The film follows Bridget, a 34-year-old drifting between jobs, relationships, and expectations, who takes a nanny gig caring for six-year-old Frances while quietly dealing with an abortion, burnout, and a general sense of “Is this my life now?”

What makes Saint Frances stand out isn’t huge plot twists, but its unflinching, funny, and tender approach to topics like reproductive health, postpartum struggles, religion, and the messy middle of adulthood.
Critics praised it for being refreshingly honest about women’s bodies and emotional lives without turning into a lecture.
The “Saint” in the title feels less like a religious label and more like a wink: sometimes sainthood looks like surviving Tuesday with a cranky kid, a leaky body, and your sense of humor intact.

“Saint Judy” (2018)

Saint Judy takes the “saint” label into real-world territory.
This American biographical drama centers on Judy Wood, an immigration attorney who helped change U.S. asylum law for women facing gender-based persecution.
The film follows one of her key cases involving an Afghan woman targeted for her activism, and how Wood’s determination reshaped legal precedent.

While the movie itself is modestly scaled, the story it tells is enormousabout how one lawyer, working within a system stacked against her clients, creates life-or-death change.
“Saint” here isn’t about perfection; it’s about stubbornly choosing to fight for people the system would prefer to ignore.

“Saint Maud” (2019)

For horror fans, Saint Maud has become one of the most talked-about “saint” titles of the past decade.
This British psychological horror film follows Maud, a recently converted Catholic private nurse who becomes dangerously fixated on saving the soul of her terminally ill patient.
The movie walks a razor-thin line between religious fervor, mental illness, and supernatural suggestion, leaving audiences to argue afterward about what was real and what was in Maud’s mind.

Critics praised the film’s slow-burn tension, striking visuals, and powerhouse lead performance, securing it a place alongside modern “elevated horror” favorites.
The title promises a saint; the film delivers a disturbing portrait of what happens when someone tries to force sainthood on themselves at all costs.

Saints Of The Streets And The Runway

“The Saint of Fort Washington” (1993)

In The Saint of Fort Washington, sainthood is about survival and solidarity.
The 1993 American drama stars Matt Dillon as a mentally ill homeless man in New York City and Danny Glover as a streetwise veteran who teaches him how to navigate shelters, danger, and daily indignities.

The film had a limited release and modest box office numbers, but critics highlighted its compassion and strong performances.
It doesn’t glamorize poverty or magically fix anything. Instead, the “saint” of the title is about empathyhow caring for another person in brutal circumstances can be an act of grace, even when the world looks the other way.

“Saint Laurent” (2014)

Fashion gets its own “saint” in the French biographical drama Saint Laurent, which focuses on designer Yves Saint Laurent’s life during his peak creative years in the 1960s and ’70s.
The movie isn’t a simple “great man” story; it dives into his artistic genius, turbulent relationships, addictions, and the cost of sustaining an iconic brand.

Here, “Saint” is literally part of his name, but the title also plays with the idea of fashion icons being treated like secular saintsworshiped, mythologized, and dissected long after their time.
The film is lush, stylish, and more interested in mood and character than in ticking off biographical bullet points.

Animated And International Saint Stories

“Saint Seiya” And Its TV Spin-Offs

If you grew up on animeor hung out with anyone who didyou’ve probably at least heard of Saint Seiya.
Originally a manga series before becoming a long-running anime in the late 1980s, it follows mystical warriors known as Saints who don celestial armor inspired by constellations to protect the reincarnation of the goddess Athena.

The original Saint Seiya anime ran for over 100 episodes, spawned movies, OVAs, reboots, and even a CGI remake, and became a massive hit in Europe, Latin America, and parts of Asia.
Later adaptations like Saint Seiya: Knights of the Zodiac introduced the franchise to new generations via streaming services.
Compared with the gritty realism of something like The Saint of Fort Washington, this is “saint” as mythic heroarmor, destiny, and universe-level stakes.

The Almost-Saints: When “St.” Counts Too

“St. Vincent” (2014)

Technically the title uses “St.” instead of “Saint,” but if you’re building a complete watchlist, St. Vincent belongs on it.
This 2014 dramedy stars Bill Murray as Vincent, a cranky, broke, gambling-inclined Vietnam vet who reluctantly becomes an after-school babysitter for the kid next door.
He drinks too much, makes terrible life choices, and hangs out with a pregnant sex workerand yet, as the story unfolds, we see how much quiet goodness he’s capable of.

The film leans into the idea that sainthood isn’t about being respectable; it’s about showing up for people when it actually costs you something.
By the end, Vincent is literally presented as a kind of modern saint in a school project, not because he’s a perfect role model, but because he’s loved a kid and stood by him when it mattered.

Quick Watchlist: Major “Saint” Films And Shows

• The Saint (1962–1969 TV series)
• The Saint (1997 film)
• The Boondock Saints (1999 film)
• Saint Frances (2019)
• Saint Judy (2018)
• Saint Maud (2019)
• The Saint of Fort Washington (1993)
• Saint Laurent (2014)
• Saint Seiya (1986–1989 anime) and later spin-offs
• St. Vincent (2014)

Together, these titles show just how flexible the word “saint” can becovering everything from crime sagas and courtroom dramas to horror, anime, and fashion biopics.

Real-World Experiences With “Saint” Movies And Shows

So what is it actually like to dive into a marathon of films and shows with “Saint” in the title?
For most viewers, it’s less like watching one genre and more like flipping through a wildly diverse emotional playlist.
You might start your night with Kilmer’s techy disguises in The Saint, slide into the heavy moral weight of The Boondock Saints, and end with the soft, bittersweet humor of Saint Frances or St. Vincent.

One common experience people describe is the whiplash between expectation and reality.
You see “Saint” and assume something overtly religious, then find yourself watching stories about immigration law, homelessness, middle-age burnout, or a fashion designer drowning in fame.
That contrast can be oddly satisfying: the title promises holiness, and the movie delivers humanity instead.
Many viewers walk away feeling that the most “saintly” characters aren’t the ones giving sermons; they’re the ones doing small, difficult, unglamorous good.

Another frequent reaction is how these films spark conversation.
The Boondock Saints tends to ignite heated debates about vigilante justiceare the brothers heroes, villains, or something in between?
Saint Maud leaves people arguing about mental illness versus religious experience for days after the credits roll.
Saint Judy and The Saint of Fort Washington often push viewers to look more closely at how systems treat the powerless and how much difference one determined person can make.

On a lighter note, a lot of fans use these titles as mood barometers.
Want cathartic, bloody chaos with a side of Catholic guilt? That’s a Boondock night.
Want introspective, character-driven storytelling about messy adulthood? Reach for Saint Frances.
Need something you can watch with a mixed-age group that still lands emotionally? St. Vincent or classic episodes of The Saint tend to go down well.
Over time, people build personal “saint” tiers: comfort rewatches, debate starters, and “I’m never watching that again, but I’m glad I saw it once” entries (looking at you, Saint Maud).

If you’re curating content for a website or streaming guide, articles about “saint” titles also perform surprisingly well because they mash together multiple fanbases: crime movie enthusiasts, horror aficionados, indie lovers, anime fans, and people who just adore Bill Murray or Yves Saint Laurent.
A well-structured list like this one can pull in readers searching for very different things“films with Saint in the title,” “Saint Seiya watch order,” “Val Kilmer The Saint,” “Saint Frances review”and keep them on the page as they discover titles they didn’t know were connected by a single word.

In the end, watching your way through these movies and shows becomes an experience in pattern-spotting.
You start noticing how often “saint” is used ironically, how rarely true perfection shows up on screen, and how the most memorable “saints” are the ones who fail, fall apart, and still keep trying.
For many viewers, that’s the real hook: these stories quietly suggest that sainthood isn’t about glowing in stained glassit’s about stumbling forward, dragging your baggage, and still choosing to care.

Conclusion

From suave thieves and vigilante brothers to overworked attorneys, anxious nannies, haunted nurses, homeless companions, anime warriors, and cranky Brooklyn neighbors,
stories with “Saint” in the title are really stories about people under pressure trying to do something that matters.
The word grabs your attention; the characters keep it.

For SEO and readers alike, grouping these “Saint” titles together works beautifully: the phrase “films with Saint in the title” matches how people actually search,
while the diversity of genres gives you room to recommend something for almost every mood.
Whether you’re building a watchlist or content strategy, the saints of film and TV are here to stayand they’re far from perfect, which is exactly why we keep watching them.

meta_title: Every Major Film And Show With Saint In Title

meta_description: Explore the major movies and TV shows with “Saint” in the title, from The Saint to Saint Maud and Saint Frances, plus viewing tips and fan insights.

sapo:
From ’60s TV icon Simon Templar to cult vigilantes, indie heroines, psychological horror, fashion legends, and anime warriors, “Saint” has become one of the most versatile words in film and TV titles.
This in-depth guide rounds up every major film and show featuring “Saint” (or “St.”) in the name, explains what makes each one stand out, and shows how they collectively reshape the idea of sainthood on screenfrom flawed heroes and overworked lawyers to haunted caregivers and cranky neighbors with hidden hearts of gold.
Whether you’re chasing vigilante justice, elevated horror, heartfelt indie drama, or nostalgic anime, this list gives you a watch-ready roadmap and fresh angles to keep viewersand readershooked.

keywords: films with Saint in the title, movies with Saint in title, TV shows with Saint in the title, The Saint Val Kilmer, Boondock Saints, Saint Frances movie, Saint Seiya anime